connyloder

31. May 202431. May 2024 connyloder Allgemein

Midsummer Night’s Dream 2.0

A Decade of Shakespeare with Entity Theatre: A Journey of Passion, Creativity, and Friendship

As I sit down to reflect on a decade-long journey with Entity Theatre, I am overwhelmed with a sense of gratitude and nostalgia. It’s been ten years since I first walked through the doors of Entity Theatre in 2014, not knowing what to expect, signing up to be assitant director to John and his play — and what a journey it has been! From the nervous excitement of our first rehearsals to the triumph of each successful performance, my time with Entity Theatre has been marked by unforgettable moments, creative growth, and enduring friendships.

The Beginning of a Beautiful Journey

My journey with Entity Theatre began in 2014, and I quickly found myself immersed in the world of Shakespeare. The beauty of Shakespeare’s language, the complexity of his characters, and the timelessness of his themes have always fascinated me. With Entity Theatre, I had the opportunity to bring these classic works to life, not just as an actor but as a part of a collaborative, passionate team.

Photo credit: Tom Hafner

The Guiding Lights: Cast and Crew

Over the years, I have had the privilege of working with some incredibly talented people who took on jobs such as assistant directors, stage managers, producers, costume designers, photographers, fight / music / dance coaches, diction coaches, poster designers – and of course, actors. It was an amazing journey to see how an ensemble grew together, one that shares passion for Shakespeare and open-air theatre. And its challenges.

Adventures On and Off the Stage

Entity Theatre has provided a stage for more than just performances; it has been a platform for adventures, both on and off the stage. Whether it was the thrill of an opening night, the camaraderie of cast parties, or the quiet moments of reflection after a show, each experience has left an indelible mark on my heart. We’ve explored new interpretations of Shakespeare’s works, from traditional renditions to modern adaptations, each time discovering new depths to his timeless stories.

Fond Memories and Lasting Friendships

Looking back, the fond memories are too numerous to count. I remember the butterflies in my stomach before my first performance, the exhilaration of receiving the first round of applause, the late-night rehearsals that sometimes turned actors into keen outdoors explorers, having to wade home ankle-deep in rain storms. Or, our Sunday rehearsals, exploring the vastness of the Theatron while being boiled and fried in the heat. Each production brought its own set of challenges and rewards, but the one constant has been the incredible people I’ve had the pleasure of working with.

The friendships forged over the past ten years are among the most cherished aspects of my time with Entity Theatre. We’ve laughed together, learned together, and supported each other through thick and thin.

Looking Forward to the Future

As I celebrate this ten-year milestone, I am filled with excitement for the future. I look forward to many more years of exploring Shakespeare’s works, pushing the boundaries of our creativity, and building lasting memories with this wonderful community.

Here’s to many more years of Shakespearean adventures with Entity Theatre!

Photo credit: Tom Hafner

6. June 20239. July 2023 connyloder Allgemein, Entity Theatre

William Shakespeare’s Othello, the Moor of Venice

This year’s Shakespeare journey takes us to Venice and Cyprus — conveniently all located at teh beautiful Theatron, Westpark, Munich.

THE PLAY

‘O, beware my lord of jealousy./It is the green-eyed monster which doth mock/The meat it feeds on.‘ —OTHELLO, act 3, scene 3

The first recorded performance of Othello dates to 1^st November 1604, shortly after James VI of Scotland had ascended the English throne and became James I.

Set in the city-state of Venice, the play takes place within the context of the city’s struggle during the 1570s with the Ottoman Empire for control of Cyprus, thereby evoking the Renaissance conflict between Christianity and Islam: the self and the other, the known and the unknown. To heighten the unknown as devious and dangerous, Shakespeare heavily drew on The Travels of John Mandeville (1350-70s), depicting various wonders such as headless men and other curiosities. However, Shakespeare’s main influence for Othello was a tale of a mixed-race marriage in Cinthio’s De Gli Hecatommithi, 1565. Shakespeare heightens jealousy as the driving force of conflict; as such, nearly all characters show signs of jealousy, most notably Othello and Iago, but also Bianca, Brabantio and Roderigo.

During Shakespeare’s time, the part of Othello was played by the company’s star actor, Richard Burbage, wearing black make-up and a wig made of black lamb’s wool. The first person of colour to portray Othello on stage was Ira Aldrige in 1826. Notable actors—black and white—followed such as Paul Robeson, Laurence Olivier, Patrick Stewart, Laurence Fishburne, Thomas Thieme and Chiwetel Ejiofor.

Entity Theatre’s production features Shreyas Bettadapura Raghavendra and Vaishak Raju (understudy) in the title role.

THE STORY

‘This is the night/That either makes me or fordoes me quite.’ — OTHELLO, act 5, scene 1

Venice.

When the Turkish fleet launches an attack on Cyprus, La Duchessa and the Senate decide to send the valiant general Othello to Cyprus’ defence. Othello, obedient to follow orders, immediately sets sail for Cyprus, on board his newlywed wife, Desdemona.

Meanwhile, Othello’s ancient, Iago, is furious about being overlooked for promotion and plots to take revenge against Othello. He manipulates Othello into believing that his wife Desdemona is unfaithful. Jealousy begins to consume Othello, turning his love for Desdemona into bitter hatred. The evidence? A strawberry-spotted handkerchief.

Directed by Conny Loder & John Yates, produced by Ken Lawler & Peter Heinz

Performance dates 7–9, 14–16 & 21–23 July 2023, 19:00

Join us this summer at the Theatron, Westpark. Admission is free, donations are welcome.

More information coming soon.

Due to the nature of outdoor theatre, we may have to cancel a performance. Please check here for a weather update by 16:00 on performance days: 0176 52441735

CAST

(in alphabetical order)

Alexandra Krienke (Understudy Iago)

Blair Gaulton (Soldier)

Cindy Bloes (Soldier, Understudy Desdemona)

David Hall (Brabantio)

Franziska Hass (Soldier)

Helen Schulz (Emilia)

Jennifer Mikulla (La Duchessa of Venice)

Kübra Kocak (Soldier)

Megan Nerlich (Understudy Emilia, Cassio)

Natalie Barnes (Lodovico)

Sara Brandt (Desdemona)

Shreyas Bettadapura Raghavendra (Othello)

Sophie Cretaine (Bianca)

Stefan Füssl (Iago)

Susan Kelly (Gratiano)

Tai Steyn (Cassio)

Tengiz Alpenidze (Roderigo)

Vaishak Raju (Montano, Understudy Othello)

CREW

Stage Management: Christine Fuss, Sarah Ryan

Costumes: Janet Giannone, Claire Middleton, Kübra Kocak, Estefanía Vidal, Lina Peller, Alexandra Krienke

Set Design: Ken Lawler, Anton Loder

Music Director: Helen Schulz

Front of House: Jeremy McCowatt

Dance Director: Sophie Cretaine

Fight Director: Sara Brandt

Photos: Tom Hafner

Marketing & Creative: Polyxeni Pelteki, Peter Heinz, Susanne Moog, Anna Rozman

Diction Coach: David Viita

Watch our trailer here:

Photo credit: Tom Hafner

20. June 202223. June 2022 connyloder Allgemein, Entity Theatre

William Shakespeare’s Comedy of Errors

It’s summer in Munich. And this means, it’s open air theatre season. While the team currently busily and sweatily rehearses, I simply can’t wait to present this hilarious comedy. True, opinions about this comedy are rather split. Some think the play is not one of Shakespeare’s strongest plays, since the characters are not as psychologically developed as they are in the darker, or later comedies. Others argue that the play is written much in the vein of the commedia dell’arte and hence purposefully presents types rather than characters. Whichever position one may hold, I personally think that The Comedy of Errors is one of Shakespeare’s most hilarious comedies. It’s packed with slapstick, mistaken identities (and all the comical consequences) and witchcraft. Obviously, it also requires a good shipwreck to start the show, and catchy tune to close it. As in the year’s before, we will have a chance for the audience to participate—it wouldn’t be a proper outdoor Shakespeare without some help from the audience. Yes, audience participation. Can’t wait to see this.

THE STORY

Am I in earth, in heaven, or in hell?
— Antipholus of Syracuse, The Comedy of Errors

The Greek towns of Ephesus and Syracuse are at war with each other. One day, Syracusian merchant Ægeon is stranded in Ephesus while searching for his lost son Antipholus. Unfortunately, Ægeon is found out to be from Syracuse and consequently detained by Duke Solinus. When he informs the Duke that he lost both his wife and his identical twin sons, twenty-three years ago in a shipwreck, Duke Solinus begins to pity Ægeon and promises that he will free him if Ægeon manages to raise a ransom of 1,000 marks by 5 o’clock that same day.

At the same time, Antipholus arrives in Ephesus from Syracuse, together with his servant, Dromio. Both quickly disguise their identities to avoid being arrested – and yet, on their exploration of the town, everyone in Ephesus seems to know them by their names. A lady called Adriana, takes Antipholus into her home, even calling him husband; Angelo, a goldsmith, gifts Antipholus with a chain of pure gold; the local Courtezan greets Antipholus as a regular costumer – and Dromio, well, all of a sudden, he finds himself married to a local beauty! Antipholus and Dromio are confused and suspect that some witchcraft has possessed the Ephesians. The confusion increases when a second Antipholus and a second Dromio enter the scene – and are swiftly arrested for alleged misconduct.

Meanwhile, the clock is ticking for Ægeon – will he find a friend in Ephesus to ransom him? Perhaps someone in the audience can help?

Comedy of Errors: Dromio of Syracus and Dromio of Ephesus

Comedy of Errors: Master, shall I be porter at the gate?

Photos by Tom Hafner

Directed by Conny Loder & John Yates, produced by Ken Lawler & Peter Heinz

Performance dates 7—10, 14—17 & 21—24 July 2022, 19:00

Munich, Theatron, Westpark.

14. June 2021 connyloder Allgemein

Much Ado About Nothing

Behold — the trailer for Entity Theatre’s summer Shakespeare production is here: Much Ado About Nothing!

Entity Theatre is back with its summer Shakespeare!

Messina, 1901.The landed gentry around Leonato and Antonio await the end of the war between Don Pedro and his vicious brother, Don John. When Don Pedro returns victorious to Messina, he brings home with him not only the confirmed bachelor, Benedick, but also the eligible young Claudio.

Claudio and Hero, Leonato’s daughter, fall instantly in love with each other and plan an imminent wedding; meanwhile, Leonato’s niece Beatrice resumes her love-hate relationship with Benedick, trading insults.

Don Pedro is intent on tricking Benedick and Beatrice into publicly confessing their love for each other. At the same time, a bitter Don John and his followers, Borachio and Conrade, deceive Claudio by denouncing Hero as unchaste.

At the altar, Claudio refuses to marry Hero and the party disperses, many believing Hero to have died from the slanderous attack.Dogberry and his Watchmen are sent to investigate. And, since this is a comedy, the truth is brought to light and there will be a wedding after all. But who will be the bride?

William Shakespeare’s Much Ado About Nothing, abr. by David Viita & Conny Loder

Directed by Conny Loder & John Yates, produced by Ken Lawler & Peter Heinz.

Performances: 7-11 & 14-18 July 2021, starting at 19:00h. Shows last approx. 100 minutes.Theatron, Westpark.

Free admission. Bring a blanket and a picnic. Further info: http://www.entitytheatre.com

25. May 2021 connyloder Allgemein

2021 — New adventure: the road to the Theatron

Team Much Ado About Nothing 2021 — in 3D!

Finally we’re allowed to meet up in person again and resume rehearsals in 3D. Follow for updates!

11. March 2021 connyloder Allgemein

News from Messina High School

Greetings from Messina High School! We have been BUSY! With zoom as our best friend now, we have rehearsed online — and we have started to record! Brace yourselves, this production will be a hybrid of an analogue 3D//digital zoom//audio-de-luxe entertainment! If you don’t believe us, why not check out our trailer and some witty banter betwixt Beatrice and Benedick. More teasers to follow.

1. January 202130. December 2020 connyloder Allgemein

Looking back at 2020 with the ESM Players

It’s been quite a roller coaster ride. In March, during dress rehearsal, COVID-19 stopped Romeo & Juliet in its final stages, moved it onto a digital stage but yet we had great hopes to go up in summer, in 3D. We didn’t. We stay digital.

Then came autumn. We started a new project — Much Ado About Nothing. And what can we say, despite it all, we’re still in rehearsal. Still working on it. Admittedly, we were moved back to the digital stage, but we hope this is only momentarily so. Because this production is different from all others that ESM Players have done before. This production will be a cinematic experience.

So, what have we been up to in the last months?

We did many close reading, trying to get actors into character — all safely distanced, all with VERY basic blocking: “Now, imagine that Benedick were to your left, Beatrice, and on line 25, you blow him a kiss.” And all this, with masks. Communication signals are sent via eyes, mostly. Be careful, enunciate but don’t project too much — this would help aerosols to spread. Who would have thought that directors were ever going to request less projection of their actors? Oh, corona.

But, there are some positive moments, too.

Pretending that we can still put on a staged production…

And yet, we’re still hoping that after the lockdown we’ll be able to start filming for this wonderful project.

But now let’s hear it from the team.

Look at those fabulous costume drafts!

This is one of Lise’s works. Enjoy!

Stay tuned for more updates in the next months — Messina High School is awaiting prom night!

18. October 2020 connyloder #esmplayers;, Allgemein

ESM Players welcome their audience to Messina High School!

ESM PLAYERS 2020/21 — the team

We’re back! This year’s team ESM Players is the biggest ever, we have grown to 24 participants! And we’re very excited to bring our version of Much Ado About Nothing to you next year, High School Messina.

The story: Hero prepares for her entry as prom queen for Homecoming. Donna Jane and Don Pedro return from a tournament in which Don Pedro’s team has successfully beaten Donna Jane’s team. Shortly before Homecoming, Claudio falls in love with Hero and vows to stop down from his team’s duties in order to spend time with Hero. Benedick, Claudio’s best friend, is not amused.

And it wouldn’t be high school if the seniors didn’t play some pranks on the juniors. And so, Don Pedro and Leonato, Hero’s brother, decide to bring Beatrice and Benedick together. Will it work?

Meanwhile School Security Chief Dogberry and his team try to maintain order at school, assuring Headmistress Sexton that there won’t be any incidents or disturbances during Homecoming.

Sister Francisca and her Well-Being team likewise take care of students’ daily woes, and thus often get to know school gossip firsthand.

Prom night is about to happen, the girls don their fancy dresses and the boys their tuxedos — but Donna Jane and her friends of mischief, Borachio and Conrade, have other plans…

Stay tuned for updates on our journey!

8. July 2020 connyloder Allgemein

Premiere! Tomorrow!

Up close and personal with The Tempest director, Conny Loder

How does this project differ from the summer open-air productions?
In our live open-air productions, we take down the so-called fourth wall: the actors play to all sides and enter from all sides (sometimes even through the seated audience); they engage with the audience and this interaction boosts the live performance – it gives something back to the actors. Anything can happen. These moments of intimacy, collectiveness, “live”-ness fall flat during a recorded performance without any audience present.

What were the main challenges in this production?
The actors all had to settle for their own private film sets: spaces needed to be adjusted, as well as lighting, the virtual backgrounds had to function with the costumes, sound difficulties needed to be sorted – all this on top of the actors actually not seeing each other and not seeing the actual perspective of the director. Because Zoom puts participants into a specific order on the screen by when they enter the meeting, we had to think about where we wanted each character to be positioned in relation to their scene partners. So instead of an actor coming from stage right, stage left, moving up or downstage, actor X signs in first, then actor Y, and so on. This require a new blocking format, which we referred to as “digital blocking.”

What was your favourite moment of this project?
That is yet to come: the premiere. It almost feels a bit like a premiere at the Theatron since we know that our audience will join in all at the same time to follow the show, only that this time we won’t be able to share this moment in the amphitheatre, but more with a global audience. Exciting!

And here it is — The Tempest. Enjoy!

1. July 2020 connyloder Allgemein

The Tempest: an update

1 July has come and this means, only 8 more days till premiere! Team Tempest is super excited — here’s Entity Theatre’s trailer for this exciting project.